Karl Lagerfeld for Chanel Spring 2016 Couture
“This is high-fashion ecology,” exclaimed Karl Lagerfeld who usedwood chips as beads and trims, as well as recycled paper and organicwoven yarn.
Photo: Yannis Vlamos / Indigitalimages.com
Karl Lagerfeld for Chanel Spring 2016 Couture
Yeezy Fall 2016
Ready-to-Wear
Yeezy Fall 2016 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Fenty x Puma Fall 2016 Ready-to-Wear
Fenty x Puma Fall 2016 Ready-to-Wear
Photo: Sonny Vandevelde / indigital.tv (backstage)
Alexander Wang Fall 2016 Ready-to-Wear
Alexander Wang Fall 2016 Ready-to-Wear
Photo: Alessandro Garofalo / Indigital.tv
Altuzarra Fall 2016 Ready-to-Wear
Altuzarra Fall 2016
Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv (runway)
Hood by Air Fall 2016 Ready-to-Wear
Hood by Air Fall 2016
Ready-to-Wear
Photo: Marcio Madeira / FirstView.com
Eckhaus Latta Fall 2016 Ready-to-Wear
Photo: Luca Tombolini / Indigital.tv
Eckhaus Latta Fall 2016 Ready-to-Wear
Though presented at MoMa PS1, this show was representative of agrowing interest in (homely) craft, versus high art à la Marc Jacobs’scollaborations at Louis Vuitton with Takashi Murakami andRichard Prince.
Michael Kors Collection Fall 2016 Ready-to-Wear
Michael Kors Collection Fall 2016 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Marc Jacobs Fall 2016 Ready-to-Wear
Marc Jacobs Fall 2016 Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Sarah Burton for Alexander McQueen Fall 2016 Ready-to-Wear
Photo: Kim WestonArnold / Indigital.tv
Sarah Burton for Alexander McQueen Fall 2016 Ready-to-Wear
Christopher Kane Fall 2016 Ready-to-Wear
Photo: Alessandro Garofalo / Indigital.tv
Christopher Kane Fall 2016 Ready-to-Wear
Marques’Almeida Fall 2016 Ready-to-Wear
Marques’Almeida Fall 2016 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Alessandro Michele for Gucci Fall 2016 Ready-to-Wear
Photo: Sonny Vandevelde / Indigital.tv (backstage)
Alessandro Michele for Gucci Fall 2016 Ready-to-Wear
Prada Fall 2016 Ready-to-Wear
Prada Fall 2016
Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Consuelo Castiglioni for Marni Fall 2016 Ready-to-Wear
Photo: Kim Weston Arnold / Indigital.tv
Consuelo Castiglioni for Marni Fall 2016 Ready-to-Wear
Koché Fall 2016 Ready-to-Wear
Photo: Luca Tombolini / Indigital.tv
Koché Fall 2016
Ready-to-Wear
Demna Gvasalia for Vetements Fall 2016 Ready-to-Wear
Photo: Luca Tombolini / Indigital.tv
Demna Gvasalia for Vetements Fall 2016 Ready-to-Wear
Olivier Rousteing for Balmain Fall 2016 Ready-to-Wear
Photo: Getty Images
Olivier Rousteing for Balmain Fall 2016 Ready-to-Wear
Jonathan Anderson
for Loewe Fall 2016
Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Jonathan Anderson for Loewe Fall 2016 Ready-to-Wear
The last works of a Renaissance man. Eighty percent of this collection was finished before Lee McQueen took his own life. “He wanted to get back to the handcraft he loved, and the things that are being lost in the making of fashion,” Sarh Burton told Sarah Mower. “He was looking at the art of the Dark Ages, but finding light and beauty in it.”
Comme des Garcons Fall
2016 Ready-to-Wear
Photo: Monica Feudi / GoRunway.com
Comme des Garçons Fall 2016 Ready-to-Wear
Demna Gvasalia for Balenciaga Fall 2016 Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv (det)
Demna Gvasalia for Balenciaga Fall 2016 Ready-to-Wear
Hedi Slimane for Saint Laurent Fall 2016 Ready-to-Wear
Photo: Kim Weston Arnold
Hedi Slimane for Saint Laurent Fall 2016 Ready-to-Wear
Beyoncé in Givenchy at the 2016 Met Gala
Nicolas Ghesquière for Louis Vuitton Fall 2016 Ready-to-Wear
Bella Hadid took the naked dress trend to Cannes courtesy of Alexandre Vauthier.
Riccardo Tisci for Givenchy Fall 2016 Couture
Viktor & Rolf Fall 2016 Couture
Karl Lagerfeld for Fendi Fall 2016 Couture
Monse Spring 2017 Ready-to-Wear
Hood by Air Spring 2017 Ready-to-Wear
Pyer Moss Spring 2017 Ready-to-Wear
Thom Browne Spring 2017
Ready-to-Wear
Rodarte Spring 2017 Ready-to-Wear
Molly Goddard Spring 2017 Ready-to-Wear
Alessandro Michele for Gucci Spring 2017 Ready-to-Wear
Attico Spring 2017 Ready-to-Wear
Jeremy Scott for Moschino Spring 2017 Ready-to-Wear
Nicolas Ghesquière for Louis Vuitton Fall 2016 Ready-to-Wear
Photo: Kim Weston Arnold / Indigital.tv
Met Gala 2017
Photo: Getty Images
Bella Hadid took the naked dress trend to Cannes courtesy of Alexandre Vauthier.
Pht: Getty Images
PLACE HOLDER
Photo: Courtesy of Theory
Riccardo Tisci for Givenchy Fall 2016 Couture
Photo: Courtesy of Givenchy
Viktor & Rolf Fall 2016 Couture
Viktor Horsting and Rolf Snoeren’s reuse of old collections in the making of this new one, Amy Verner reported, “ wasn’t an ordinary exercise in upcycling, nor a trip down memory lane. Rather, it relied on varying proportions of everyday base layers handwoven with leftover fabrics, boosted with swirling tulle volumes and embellished
with heaps of hardware and buttons. Essentially, the designers performed a wondrous feat of conflating rag rugs with riches.”
Photo: Monica Feudi / GoRunway.com
Karl Lagerfeld for Fendi Fall
2016 Couture
Photo: Monica Feudi / Indigital.tv
Monse Spring 2017
Ready-to-Wear
Photo: Umberto Fratini / Indigital.tv
Hood by Air Spring 2017
Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Pyer Moss Spring 2017
Ready-to-Wear
Looking for an antidote to minimalism in ready-to-wear, Raf Simons landed not on maximalism, but couture. Later in the decade Pierpaolo Piccioli would also take up an elevated, craft-based approach to design at Valentino, as well.
Photo: Luca Tombolini / Indigital.tv
Thom Browne Spring 2017
Ready-to-Wear
Having gone as far as possible with glitz, Christopher Decarnin’s glamified grunge, which was arguably the most resonant of 1990s trends.
Photo:Marcus Tondo / Indigital.t
Rodarte Spring 2017
Ready-to-Wear
Photo:Umberto Fratini / indigital.tv
Molly Goddard Spring 2017
Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Alessandro Michele for Gucci
Spring 2017 Ready-to-Wear
Photo:Yannis Vlamos / Indigital.tv
Attico Spring 2017
Ready-to-Wear
Photo: Monica Feudi / GoRunway.com
Jeremy Scott for Moschino Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Prada Spring 2017 Ready-to-Wear
Tomas Maier for Bottega Veneta Spring 2017 Ready-to-Wear
Jacquemus Spring 2017 Ready-to-Wear
Anthony Vaccarello for Saint Laurent Spring 2017 Ready-to-Wear
Fenty x Puma Spring 2017 Ready-to-Wear
Rick Owens Spring 2017 Ready-to-Wear
Maria Grazia Chiuri for Christian Dior Spring 2017 Ready-to-Wear
Jonathan Anderson for Loewe Spring 2017 Ready-to-Wear
Demna Gvasalia for Balenciaga Spring 2017 Ready-to-Wear
Pierpaolo Piccioli for Valentino Spring 2017 Ready-to-Wear
Karl Lagerfeld for Chanel Spring 2017 Ready-to-Wear
Prada Spring 2017
Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Tomas Maier for Bottega Veneta Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Jacquemus Spring 2017
Ready-to-Wear
Photo: Kim Weston Arnold / Indigital.tv
Anthony Vaccarello for Saint Laurent Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos/ IndigitalImages.tv
Fenty x Puma Spring 2017
Ready-to-Wear
Shown in Paris, Rihanna’s second Fenty x Puma, nodded to MarieAntoinette.
Photo: Getty Images
Rick Owens Spring 2017
Ready-to-Wear
Photo: Simone Leonardi / GoRunway.com
Maria Grazia Chiuri for Christian Dior Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Jonathan Anderson for Loewe Spring 2017 Ready-to-Wear
Photo: Umberto Fratini / Indigital.tv
Demna Gvasalia for Balenciaga Spring 2017 Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Pierpaolo Piccioli for Valentino Spring 2017 Ready-to-Wear
Photo: Umberto Fratini /Indigital.tv
Karl Lagerfeld for Chanel Spring 2017 Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Fashion was but one element of the Fall 2016 Yeezy experience,which in addition to featuring models staged, some thought, likerefugees by the artist Vanessa Beecroft, was also a listening party forKanye West’s Life of Pablo album. In larger terms it demonstrated ashift fashion influence away from big screen actors tostadium-filling musicians.
The day following Kanye West’s Yeezy event, Rihanna debuted her collaboration with Puma. It was a sexy goth look at fashion with a sporty twist.
After winning the LVMH Prize in 2014, Shayne Oliver moved hisatelier to Milan. Shrink-wrapped models and luggage tags spoke ofjourneying, while 18th century-style wigs and red “Kinky boots”worn by men suggested that the wearer decided his or her owndestination, and destiny.
Michael Kors’s holding company was still a couple of years off frombecoming a luxury conglomerate called Capri, when the designeropened his 35th Fall collection with a pair of marabou-trimmedjeans that typified his knack for what might be called a groundedlavishness.
“I’m sharing my Paris with other people,” Christelle Kocher toldVogue . The Koché designer, who works for Maison Lemarié where shespecializes in feathers for
the couture, combined the metier’s elevatedtechniques with everyday
clothes, shown (mostly) on street-castedmodels to electrifying effect.
Rihanna attended the 2017 Met
Gala, in honor of the exhibition“ Rei Kawakubo/Comme des Garçons: Art of the In-Between”in a look from this collection of soft armor.
This was the debut of the decade. No one knew how DemnaGvasalia, best known for the expensive, logoed hoodies he made forVetements would take on Balenciaga, one of the most exaltedcouture houses in Paris. To start, he did so in abstract,non-reverential ways and with spectacular results. Jackets withjutting hips, and parkas with off-the-shoulder necklines were notonly immediate hits, they also altered the fashionable silhouette.
Hedi Slimane took leave of Saint Laurent with a presentationorganized like an old-school couture show featuring clothes withexaggerated 1980s silhouettes
and glitz. Best in show was this partingvalentine, a red fur
heart-shaped cape.
Nicolas Ghesquière not only referenced
his own backlog for Fall 2016,but, reported Nicole Phelps, “dipped into the archive of others, as well.The ending section of sequin slip dresses looked like a nod to alate-’90s collection of the Belgian designer Martin Margiela , whomGhesquière has long
revered and who has become a popular
referencepoint this season with the
rise of Vetements .”
Menswear would explode by the end of the 2010s. Riccardo Tisciseemed to have anticipated that trend; he presented his Fall 2016couture collection during his Spring men’s show.
Artist Wolfgang Tilmans walked in Hood by Air’s Fall show, which,Chioma Nnadi described as being “essentially...Oliver’s take on thetour merch phenomenon, and a clever way to reclaim some of thefashion spotlight that has been stolen by what the likes of Kanye West ,Drake , and Justin Bieber have started.”
Influencers designing collections became par for the course in the2010s. One of the distinguishing factors of Gilda Ambrosio andGiorgia Tordini ’s brand, The Attico, was that it was coming fromMilan where the fashion calendar, after a long drought, finallyincluded emerging talents.
“It’s always black, always sexy,” said Anthony Vaccareelo of hisaesthetic back in 2011 and he brought his creed to Saint Laurent wherehis debut was very Yves in the 1980s. Helmut Newton would haveloved it.
Rick Owens left politics aside
and concentrated on beauty andcraftsmanship seemingly
inspired by the golden age
of the hautecouture.
Maria Grazia Chiuri, the first woman to head the house of ChristianDior, set a feminist agenda at her debut show. Her “We Should AllBe Feminists” t-shirt — the title of an essay by the Nigerian author
The stiletto stocking boot didn’t play into the trend for comfort,but it signified that the wearer was on the cutting
edge of fashion.
With his solo debut show for Valentino, Pierpaolo Piccioli provedhimself both an inveterate romantic and respectful, but notreverent, for the past. “ I like to know my history, and then forget it,”
Karl Lagerfeld for Chanel Spring 2016 Couture
Photo: Yannis Vlamos / Indigitalimages.com
“This is high-fashion ecology,” exclaimed Karl Lagerfeld who usedwood chips as beads and trims, as well as recycled paper and organicwoven yarn.
Fashion was but one element of the Fall
2016 Yeezy experience,which in addition to featuring models staged, some thought, likerefugees by the artist Vanessa Beecroft, was also a listening party forKanye West’s Life of Pablo album. In larger terms it demonstrated ashift fashion influence away from big screen actors tostadium-filling musicians.
Yeezy Fall 2016
Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Fashion was but one element of the Fall 2016 Yeezy experience,which in addition to featuring models staged, some thought, likerefugees by the artist Vanessa Beecroft, was also a listening party forKanye West’s Life of Pablo album. In larger terms it demonstrated ashift fashion influence away from big screen actors tostadium-filling musicians.
Fenty x Puma Fall 2016 Ready-to-Wear
Photo: Sonny Vandevelde / indigital.tv (backstage)
Alexander Wang Fall 2016 Ready-to-Wear
Photo: Alessandro Garofalo / Indigital.tv
Altuzarra Fall 2016
Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv (runway)
Hood by Air Fall 2016
Ready-to-Wear
Photo: Marcio Madeira / FirstView.com
After winning the LVMH Prize in 2014, Shayne Oliver moved hisatelier to Milan. Shrink-wrapped models and luggage tags spoke ofjourneying, while 18th century-style wigs and red “Kinky boots”worn by men suggested that the wearer decided his or her owndestination, and destiny.
Eckhaus Latta Fall 2016 Ready-to-Wear
Though presented at MoMa PS1, this show was representative of agrowing interest in (homely) craft, versus high art à la Marc Jacobs’scollaborations at Louis Vuitton with Takashi Murakami andRichard Prince.
Photo: Luca Tombolini / Indigital.tv
Michael Kors Collection Fall 2016 Ready-to-Wear
Michael Kors’s holding company was still a couple of years off frombecoming a luxury conglomerate called Capri, when the designeropened his 35th Fall collection with a pair of marabou-trimmedjeans that typified his knack for what might be called a groundedlavishness.
Photo: Yannis Vlamos / Indigital.tv
Marc Jacobs Fall 2016 Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Sarah Burton for Alexander McQueen Fall 2016 Ready-to-Wear
Photo: Kim WestonArnold / Indigital.tv
Christopher Kane Fall 2016 Ready-to-Wear
Photo: Alessandro Garofalo / Indigital.tv
Marques’Almeida Fall 2016 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Alessandro Michele for Gucci Fall 2016 Ready-to-Wear
Photo: Sonny Vandevelde / Indigital.tv (backstage)
Prada Fall 2016
Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Consuelo Castiglioni for Marni Fall 2016 Ready-to-Wear
Photo: Kim Weston Arnold / Indigital.tv
Koché Fall 2016 Ready-to-Wear
“I’m sharing my Paris with other people,” Christelle Kocher toldVogue . The Koché designer, who works for Maison Lemarié where shespecializes in feathers for the couture, combined the metier’s elevatedtechniques with everyday clothes, shown (mostly) on street-castedmodels to electrifying effect.
Photo: Luca Tombolini / Indigital.tv
Demna Gvasalia for Vetements Fall 2016 Ready-to-Wear
Photo: Luca Tombolini / Indigital.tv
Kim Kardashian-West in Balmain, 2016.
Photo: Getty Images
Jonathan Anderson
for Loewe Fall 2016
Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Comme des Garcons Fall
2016 Ready-to-Wear
Rihanna attended the 2017 Met
Gala, in honor of the exhibition“ Rei Kawakubo/Comme des Garçons: Art of
the In-Between”in a look from this
collection of soft armor.
Photo: Monica Feudi / GoRunway.com
Demna Gvasalia for Balenciaga Fall 2016 Ready-to-Wear
This was the debut of the decade. No one knew how DemnaGvasalia, best known for the expensive, logoed hoodies he made forVetements would take on Balenciaga, one of the most exaltedcouture houses in Paris. To start, he did so in abstract,non-reverential ways and with spectacular results. Jackets withjutting hips, and parkas with off-the-shoulder necklines were notonly immediate hits, they also altered the fashionable silhouette.
Photo: Marcus Tondo / Indigital.tv (det)
Hedi Slimane for Saint Laurent Fall 2016 Ready-to-Wear
Hedi Slimane took leave of Saint Laurent with a presentationorganized like an old-school couture show featuring clothes withexaggerated 1980s silhouettes
and glitz. Best in show was this partingvalentine, a red fur
heart-shaped cape.
Photo: Kim Weston Arnold
Nicolas Ghesquière for Louis Vuitton Fall 2016 Ready-to-Wear
Nicolas Ghesquière not only referenced
his own backlog for Fall 2016,but, reported Nicole Phelps, “dipped into the archive of others, as well.The ending section of sequin slip dresses looked like a nod to alate-’90s collection of the Belgian designer Martin Margiela , whomGhesquière has long
revered and who has become a popular
referencepoint this season with the
rise of Vetements .”
Photo: Kim Weston Arnold / Indigital.tv
Met Gala 2017
Photo: Getty Images
Bella Hadid took the naked dress trend to Cannes courtesy of Alexandre Vauthier.
Photo: Getty Images
Riccardo Tisci for Givenchy
Fall 2016 Couture
Menswear would explode by the end of the 2010s. Riccardo Tisciseemed to have anticipated that trend; he presented his Fall 2016couture collection during his Spring men’s show.
Photo: Courtesy of Givenchy
Jeremy Scott Spring 2011 Ready-to-Wear
Having moved his show back to New York from Paris, the designer made like the all-American his is: ordering take-out and flipping the bird.
Photo: Monica Feudi / GoRunway.com
Karl Lagerfeld for Fendi Fall
2016 Couture TK
Photo: Monica Feudi / Indigital.tv
Monse Spring 2017
Ready-to-Wear
Photo: Umberto Fratini / Indigital.tv
Hood by Air Spring 2017
Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Artist Wolfgang Tilmans walked in Hood by Air’s Fall show, which,Chioma Nnadi described as being “essentially...Oliver’s take on thetour merch phenomenon,
and a clever way to reclaim some of thefashion spotlight that has been stolen by what the likes of Kanye West ,Drake , and Justin Bieber have started.”
Pyer Moss Spring 2017
Ready-to-Wear
Photo: Luca Tombolini / Indigital.tv
Thom Browne Spring 2017
Ready-to-Wear
Photo:Marcus Tondo / Indigital.t
Rodarte Spring 2017
Ready-to-Wear
Photo:Umberto Fratini / indigital.tv
Molly Goddard Spring 2017
Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Alessandro Michele for Gucci
Spring 2017 Ready-to-Wear
Photo:Yannis Vlamos / Indigital.tv
Attico Spring 2017
Ready-to-Wear
Influencers designing collections became par for the course in the2010s. One of the distinguishing factors of Gilda Ambrosio andGiorgia Tordini ’s brand, The Attico, was that it was coming fromMilan where the fashion calendar, after a long drought, finallyincluded emerging talents.
Photo: Monica Feudi / GoRunway.com
Jeremy Scott for Moschino Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Prada Spring 2017
Ready-to-Wear
Photo: Monica Feudi / Indigital.tv
Tomas Maier for Bottega Veneta Spring 2017 Ready-to-Wear
Photo: Yannis Vlamos / Indigital.tv
Jacquemus Spring 2017
Ready-to-Wear
Photo: Kim Weston Arnold / Indigital.tv
Anthony Vaccarello for Saint Laurent Spring 2017 Ready-to-Wear
“It’s always black, always sexy,” said Anthony Vaccareelo of hisaesthetic back in 2011 and he brought his creed to Saint Laurent wherehis debut was very Yves in the 1980s. Helmut Newton would haveloved it.
Photo: Yannis Vlamos/ IndigitalImages.tv
Fenty x Puma Spring 2017
Ready-to-Wear
Shown in Paris, Rihanna’s second Fenty x Puma, nodded to MarieAntoinette.
Photo: Getty Images
Rick Owens Spring 2017
Ready-to-Wear
Rick Owens left politics aside
and concentrated on beauty andcraftsmanship seemingly inspired by the golden age
of the hautecouture.
Photo: Simone Leonardi / GoRunway.com
Maria Grazia Chiuri for Christian Dior Spring 2017 Ready-to-Wear
Maria Grazia Chiuri, the first woman to head the house of ChristianDior, set a feminist agenda at her debut show. Her “We Should AllBe Feminists” t-shirt — the title of an essay by the Nigerian author
Photo: Yannis Vlamos / Indigital.tv
Jonathan Anderson for Loewe Spring 2017 Ready-to-Wear
Photo: Umberto Fratini / Indigital.tv
Demna Gvasalia for Balenciaga Spring 2017 Ready-to-Wear
The stiletto stocking boot didn’t play into the trend for comfort,but it signified that the wearer was on the cutting
edge of fashion.
Photo: Marcus Tondo / Indigital.tv
Pierpaolo Piccioli for Valentino Spring 2017 Ready-to-Wear
With his solo debut show for Valentino, Pierpaolo Piccioli provedhimself both an inveterate romantic and respectful, but notreverent, for the past. “ I like to know my history, and then forget it,”
Photo: Umberto Fratini /Indigital.tv
Karl Lagerfeld for Chanel Spring 2017 Ready-to-Wear
Photo: Marcus Tondo / Indigital.tv
Maria Grazia Chiuri and Pierpaolo Piccioli for Valentino Fall 2016 Couture
Maria Grazia Chiuri and Pierpaolo Piccioli for Valentino Fall 2016
Couture
Photo: Yannis Vlamos / Indigital.tv
Sies Marjan Spring 2017 Ready-to-Wear
Sies Marjan Spring 2017
Ready-to-Wear
Photo: Umberto Fratini / Indigital.tv