1/8
DETAILS +
1962/printed 2024
Dimensions variable
JPMorganChase Corporate History Collection
Chase Manhattan Bank Check Processing Department,
Implementation of the RCA 501 computer system, 1962
Arthur Lavine, American, 1922-2016
2/8
DETAILS +
9 3/8 x 7 7/16 inches (23.8 x 18.9cm)
JPMorganChase Corporate History Collection
Chase National Bank Telephone Department, c. 1930s
Nick Lazarnick, Russian, 1879-1955
3/8
DETAILS +
Gelatin silver print
20 1/4 x 24 1/4 x 1 1/2 inches (51.4 x 61.6 x 3.8 cm)
Acquired 1985
JPMorganChase Art Collection
Courtesy of the artist and Jessica Silverman, San Francisco
Naval Postgraduate School, Metallurgical Classroom, Monterey, California, 1983
Catherine Wagner, American, born 1953
4/8
DETAILS +
CYANOTYPE ON HANDMADE JAPANESE GAMPI PAPER
24 X 35 13/16 INCHES (61 X 91 CM)
ACQUIRED 2022
JPMORGAN CHASE ART COLLECTION
© MIKA HORIE; COURTESY OF IBASHO GALLERY
Vibrations of Trees and Water, 2022
MIKA HORIE (JAPANESE, BORN 1984)
5/8
DETAILS +
PIGMENT PRINTS, DIPTYCH
24 X 20 INCHES EACH (61 X 50.8 CM EACH)
ACQUIRED 2015
JPMORGAN CHASE ART COLLECTION© JESS T. DUGAN
Erica and Krista, 2012
JESS T. DUGAN (AMERICAN, BORN 1986)
6/8
DETAILS +
C-PRINT
47 ¼ X 47 ¼ INCHES (120 X 120 CM)
ACQUIRED 2001
JPMORGAN CHASE ART COLLECTION
© CANDIDA HÖFER; VG BILD-KUNST, BONN
Palacio Real Madrid V, 2000
CANDIDA HÖFER (GERMAN, BORN 1944)
8/8
DETAILS +
GELATIN SILVER PRINT
21 5/8 X 14 1/2 INCHES (54.9 X 36.8 CM)
ACQUIRED 2010
JPMORGAN CHASE ART COLLECTION
©2000, JEHSONG BAAK; COURTESY RICK WESTER FINE ART, INC.
Arrow, Paris, 2000
JEHSONG BAAK (AMERICAN, BORN KOREA, 1967)
Rinko Kawauchi is a Japanese photographer who beautifully captures natural and built environments of international landscapes in her photographic and film practice. Slicing poetic moments in time, she reveals the rhythms and rituals of everyday life on a global scale. As we celebrate 2023, we look to her series Hanabi, translating to fireworks in Japanese. Kawauchi travels throughout Japan to capture fireworks bursting in the sky in a trilogy of photo books on the subject. Both celebratory and nostalgic, she captures the spirit of celebration.
In 2023, Rinko Kawauchi was shortlisted for the annual Prix Pictet photography prize, and exhibited globally. Kawauchi lives and works in Chiba, Japan.
DETAILS -
DETAILS -
Collapsing time and allowing past, present, and future to coincide, Chelsea Odufu’s Moved By Spirit reflects the multitude of histories, aesthetics, and identities that inform her artistic practice. A first-generation Nigerian and Guyanese artist born in Newark, NJ, Odufu draws from this hybridity to interweave legacies of urbanization and globalization with concepts of mysticism and afro-futurism. Through her mastery of a wide range of media, such as film, video art, installation, and photography, Odufu interrogates the processes by which ethnic identities are formed, demystifies those which stigmatize BIPOC identities, and frees viewers to envision an enlightened future.
Chelsea Odufu was selected for Kehinde Wiley’s Black Rock Senegal Residency in 2021. She has exhibited work at the Dakar Biennale, and has had work featured in major publications.
DETAILS -
Originally from the island of La Réunion, Thierry Fontaine creates and performs ‘actions’ intended for documentation as photographs. Often elaborate in fabrication and productions involving his own body, his works explore themes of identity, representation, and the limitations of the human body. His large-scale photographs are visually distorted, showing fragments of the self, which result in a disorienting view partially abstracted. La gagnant (The Winner) transports the viewer to an enigmatic scene where gold drips down the back of a person wearing a blue sports jacket. Curiosity ensues; the individual, their location, and the gold liquid are veiled in mystery.
A winner of the prestigious Carte Blanc award in France, Fontaine’s work has been widely exhibited in France as well as internationally at museums including the Center George Pompidou in Paris.
DETAILS -
Mika Horie is a photographic artist who lives and works in Ishikawa prefecture, Japan. Her delicate cyanotypes printed on hand-made paper capture natural elements in shifting seasons. Horie’s remote farmhouse in the mountains serve as her studio, where she gathers Gampi branches to create traditional Japanese Gampi paper; known to be one of the most luxurious fibers used for papermaking. Horie is a practitioner of wabi-sabi, a Buddhist concept which emphasizes change, imperfection, simplicity, modesty, and intimacy in nature. Her cyanotypes of the landscape are imperfectly perfect, utilizing mostly natural materials and the sun to expose the serenity of wavering light.
Horie’s photograph, Vibrations of Trees and Water, was acquired at Paris Photo in 2022.
DETAILS -
Both gentle and implicating, Jess T. Dugan’s Erica and Krista is part of an ongoing series exploring identity, desire, and connection. Emerging from the project of understanding and expressing their own identity as a queer, non-binary artist, Dugan turned to individuals and relationships within the community around them. Photographed in their home, Erica and Krista’s tender embrace is fractured by the camera and interrupted by the viewer. By illustrating the fraught intersection between private and public, Dugan's portrait raises questions about how identity is formed, desire is expressed, and intimacy is sought.
Jess T. Dugan’s work has been exhibited at venues including the Smithsonian National Portrait Gallery, Washington, DC; the Museum of Fine Arts, Boston; and Aperture Foundation, New York. They are the recipient of a Pollock-Krasner Foundation Grant and were selected by the White House as an LGBT Artist Champion of Change.
DETAILS -
Though her work is void of human presence, Candida Hofer is a portrait photographer. Instead of posing models in a studio, though, Hofer captures “portraits of spaces.” The large-format photographs depict architectural interiors like theatres, libraries, museums, and even palaces with incredible precision. Hofer gives the design of the space the freedom to speak for itself. The viewer must, in turn, project an idea of how they might move through space; what sort of performance or leisure or debate might take place; what feelings the design might instill in its occupants. The “portrait” is thus filled in using the imagination of the viewer, rather than the decisions of the artist.
Candida Hofer represented Germany at the 2003 Venice Biennale and has been shown at institutions around the globe, including the Louvre, Paris; the Museum of Modern Art, New York; and the Hermitage Museum, Saint Petersburg.
DETAILS -
Jehsong Baak is a Korean American artist who has lived in Paris since 1998. His evocative black and white photographs capture the complexity of the environments he photographs. A street and documentary style imagery displays an emotional depth to timeless images he creates during his global travels. The film noir-like scene in Arrow, Paris (2000) is an arresting view of Paris at night.
Baak’s work is held in permanent collections such as the National Gallery of Art, Washington D.C; Houston Museum of Fine Arts, Houston; and the Wilson Center of Photography, London.
List
Grid
Leisure
Work
Photographs from the JPMorganChase Art and History Collections reflect on how work and leisure intersect and evolve. The selection explores these roles in shaping identity, community, and purpose.
By the late 1920s, the Guaranty Trust Company of New York had outgrown its original offices at 1 and 3, rue des Italiens. In 1929, it moved into more spacious accommodations at 4, Place de la Concorde, seen in this 1920s photograph. Occupying the historic 18th century Hotel de Coislin, Guaranty’s new offices were conveniently located adjacent to the U.S. embassy. It was in this same building in 1778 that Benjamin Franklin signed a treaty with France recognizing French support for the American Revolution. Guaranty Trust, and later Morgan Guaranty Trust Company, would maintain offices in the building through the 1970s.
Courtesy JPMorgan Chase Corporate History Collection
The Guaranty Trust Company of New York, a JPMorgan Chase predecessor, entered the Paris market in July 1917 when it opened an office at 1 and 3, rue des Italiens. The office remained open during World War I and was the first international branch of an American bank to be designated a depository for the U.S. government. During the war, Guaranty Trust operated an armored mobile bank, seen here in this 1918 photograph, for use behind the battle lines. This service enabled U.S. soldiers and sailors stationed in France to cash checks and buy drafts while serving on the front lines.
Courtesy JPMorgan Chase Corporate History Collection
In September 1916, J.P. Morgan & Co. purchased the building at 14, Place Vendôme from the family of the late Vicomtesse de Tredern, a singer and social figure known for the intimate salons she hosted at her home. This location would serve as the main office of the firm’s French partnership, Morgan, Harjes & Co., founded in Paris in 1868. 14, Place Vendôme officially opened for business in March 1919 and remains the firm’s French headquarters today. Seen in this 1967 photograph is one of the landmarked building’s finely appointed private rooms.
Courtesy JPMorgan Chase Corporate History Collection
1/13
The Equitable Trust Company of New York, a JPMorgan Chase predecessor, opened for business in Paris in 1910 at 23 rue de la Paix, featured here in this 1920s photograph. Though this was not JPMorgan Chase’s earliest predecessor in France, it held the title of first American bank branch on the European continent. With only four employees initially, the office served as an informational bureau for clients living in or visiting Paris. Demand for banking services grew rapidly during and after the war, and by the late 1920s, headcount numbered over 200 employees. In 1928, Equitable moved into a new home at 41 rue Cambon. Two years later, it merged with Chase National Bank and retained the rue Cambon address as its Paris headquarters.
Courtesy JPMorgan Chase Corporate History Collection
List
Grid
Photographs from the JPMorganChase Art and History Collections reflect on how work and leisure intersect and evolve. The selection explores these roles in shaping identity, community, and purpose.
7 3/8 x 9 1/8 inches (18.7 x 23.2cm)
JPMorganChase Corporate History Collection
Guaranty Trust Company of New York Stock Bookkeeping Department, 1926
Edwin Levick, British, 1869-1929
Both gentle and implicating, Jess T. Dugan’s Erica and Krista is part of an ongoing series exploring identity, desire, and connection. Emerging from the project of understanding and expressing their own identity as a queer, non-binary artist, Dugan turned to individuals and relationships within the community around them. Photographed in their home, Erica and Krista’s tender embrace is fractured by the camera and interrupted by the viewer. By illustrating the fraught intersection between private and public, Dugan's portrait raises questions about how identity is formed, desire is expressed, and intimacy is sought.
Jess T. Dugan’s work has been exhibited at venues including the Smithsonian National Portrait Gallery, Washington, DC; the Museum of Fine Arts, Boston; and Aperture Foundation, New York. They are the recipient of a Pollock-Krasner Foundation Grant and were selected by the White House as an LGBT Artist Champion of Change.
GELATIN SILVER PRINT
21 5/8 X 14 1/2 INCHES (54.9 X 36.8 CM)
ACQUIRED 2010
JPMORGAN CHASE ART COLLECTION
©2000, JEHSONG BAAK; COURTESY RICK WESTER FINE ART, INC.
Arrow, Paris, 2000
JEHSONG BAAK (AMERICAN, BORN KOREA, 1967)
Jehsong Baak is a Korean American artist who has lived in Paris since 1998. His evocative black and white photographs capture the complexity of the environments he photographs. A street and documentary style imagery displays an emotional depth to timeless images he creates during his global travels. The film noir-like scene in Arrow, Paris (2000) is an arresting view of Paris at night.
Baak’s work is held in permanent collections such as the National Gallery of Art, Washington D.C; Houston Museum of Fine Arts, Houston; and the Wilson Center of Photography, London.
ARCHIVAL PIGMENT PRINT
24 × 20 INCHES (61 × 50.8 CM)
ACQUIRED 2018
JPMORGAN CHASE ART COLLECTION
COURTESY OF THE ARTIST AND ARRÓNIZ ARTE CONTEMPORÁNEO
GALLERY
Queen, 2018
FABIOLA MENCHELLI (MEXICAN, BORN 1983)
Fabiola Menchelli explores the limitless possibilities of the photographic medium through her ongoing experimental techniques. Born in Mexico City, Menchelli’s photo abstractions offer a new perspective to image making. She manipulates color and form in-camera and exposes light sensitive paper multiple times to create the desired effects in her body of work, Light Studies (2016-2020). The image, Queen (2018), included in this series, was featured in our exhibition, This Must Be the Place – Selected works from the JPMorgan Chase Art Collection from the 19th century to present, in 2018.
Menchelli’s work has been celebrated globally and included in the Photography Biennial in Jinan, China; Espacio D77 Venice, Italy; and the Houston Center of Photography, Houston, Texas.
1/8
2/8
3/8
4/8
5/8
6/8
8/8
1/13
2/13
3/13
4/13
5/13
6/13
7/13
9/13
10/13
DETAILS -
Victoria Fu is a visual artist working between analog and digital photography, video projection, and installation. Early exploration of Fu’s characteristic experimental attitude towards media is shown here in Untitled (double 1). The piece features a framed inkjet photograph mounted atop a printed vinyl, which is installed directly onto the gallery wall. This fractal interplay extends the impact of the images themselves, which show light reflecting through prisms and screens.
Victoria Fu has created videos, installations, and photographs for institutions such as the Whitney Museum of Art and the Los Angeles County Museum of Art. She lives and works in San Diego, where she is an Associate Professor of Art at the University of San Diego.
Though her work is void of human presence, Candida Hofer is a portrait photographer. Instead of posing models in a studio, though, Hofer captures “portraits of spaces.” The large-format photographs depict architectural interiors like theatres, libraries, museums, and even palaces with incredible precision. Hofer gives the design of the space the freedom to speak for itself. The viewer must, in turn, project an idea of how they might move through space; what sort of performance or leisure or debate might take place; what feelings the design might instill in its occupants. The “portrait” is thus filled in using the imagination of the viewer, rather than the decisions of the artist.
Candida Hofer represented Germany at the 2003 Venice Biennale and has been shown at institutions around the globe, including the Louvre, Paris; the Museum of Modern Art, New York; and the Hermitage Museum, Saint Petersburg.
INKJET PHOTOGRAPH AND PHOTOTEX PRINT 24 X 31 1/2 INCHES
(61 X 80 CM)
ACQUIRED 2015
JPMORGAN CHASE ART COLLECTION
COURTESY OF THE ARTIST AND DOCUMENT, CHICAGO, IL
Untitled (double 1), 2013
VICTORIA FU (AMERICAN, BORN 1978)
7 5/8 x 9 1/2 inches (19.4 x 24.1cm)
JPMorganChase Corporate History Collection
Morgan Guaranty Trust Company Stock Transfer Department, 1964
DETAILS -
Both gentle and implicating, Jess T. Dugan’s Erica and Krista is part of an ongoing series exploring identity, desire, and connection. Emerging from the project of understanding and expressing their own identity as a queer, non-binary artist, Dugan turned to individuals and relationships within the community around them. Photographed in their home, Erica and Krista’s tender embrace is fractured by the camera and interrupted by the viewer. By illustrating the fraught intersection between private and public, Dugan's portrait raises questions about how identity is formed, desire is expressed, and intimacy is sought.
Jess T. Dugan’s work has been exhibited at venues including the Smithsonian National Portrait Gallery, Washington, DC; the Museum of Fine Arts, Boston; and Aperture Foundation, New York. They are the recipient of a Pollock-Krasner Foundation Grant and were selected by the White House as an LGBT Artist Champion of Change.
Jehsong Baak is a Korean American artist who has lived in Paris since 1998. His evocative black and white photographs capture the complexity of the environments he photographs. A street and documentary style imagery displays an emotional depth to timeless images he creates during his global travels. The film noir-like scene in Arrow, Paris (2000) is an arresting view of Paris at night.
Baak’s work is held in permanent collections such as the National Gallery of Art, Washington D.C; Houston Museum of Fine Arts, Houston; and the Wilson Center of Photography, London.
PIGMENT PRINTS, DIPTYCH
24 X 20 INCHES EACH (61 X 50.8 CM EACH)
ACQUIRED 2015
JPMORGAN CHASE ART COLLECTION© JESS T. DUGAN
Erica and Krista, 2012
JESS T. DUGAN (AMERICAN, BORN 1986)
6 3/4 x 10 inches (17.14 x 25.4cm)
JPMorganChase Corporate History Collection
Chase Manhattan Bank Bookkeeping Department, 1957
Robert Mottar, American, 1919-1967
DETAILS -
Fabiola Menchelli explores the limitless possibilities of the photographic medium through her ongoing experimental techniques. Born in Mexico City, Menchelli’s photo abstractions offer a new perspective to image making. She manipulates color and form in-camera and exposes light sensitive paper multiple times to create the desired effects in her body of work, Light Studies (2016-2020). The image, Queen (2018), included in this series, was featured in our exhibition, This Must Be the Place – Selected works from the JPMorgan Chase Art Collection from the 19th century to present, in 2018.
Menchelli’s work has been celebrated globally and included in the Photography Biennial in Jinan, China; Espacio D77 Venice, Italy; and the Houston Center of Photography, Houston, Texas.
Victoria Fu is a visual artist working between analog and digital photography, video projection, and installation. Early exploration of Fu’s characteristic experimental attitude towards media is shown here in Untitled (double 1). The piece features a framed inkjet photograph mounted atop a printed vinyl, which is installed directly onto the gallery wall. This fractal interplay extends the impact of the images themselves, which show light reflecting through prisms and screens.
Victoria Fu has created videos, installations, and photographs for institutions such as the Whitney Museum of Art and the Los Angeles County Museum of Art. She lives and works in San Diego, where she is an Associate Professor of Art at the University of San Diego.
ARCHIVAL PIGMENT PRINT
24 × 20 INCHES (61 × 50.8 CM)
ACQUIRED 2018
JPMORGAN CHASE ART COLLECTION
COURTESY OF THE ARTIST AND ARRÓNIZ ARTE CONTEMPORÁNEO
GALLERY
Queen, 2018
FABIOLA MENCHELLI (MEXICAN, BORN 1983)
Archival pigment print
16 x 13 1/2 inches, (40.6 x 34.3 cm)
Acquired 2024
JPMorganChase Art Collection
Courtesy of the Artist and Gagosian
Untitled (Trust), 2018
Tyler Mitchell, American, born 1995
DETAILS +
DETAILS -
Though her work is void of human presence, Candida Hofer is a portrait photographer. Instead of posing models in a studio, though, Hofer captures “portraits of spaces.” The large-format photographs depict architectural interiors like theatres, libraries, museums, and even palaces with incredible precision. Hofer gives the design of the space the freedom to speak for itself. The viewer must, in turn, project an idea of how they might move through space; what sort of performance or leisure or debate might take place; what feelings the design might instill in its occupants. The “portrait” is thus filled in using the imagination of the viewer, rather than the decisions of the artist.
Candida Hofer represented Germany at the 2003 Venice Biennale and has been shown at institutions around the globe, including the Louvre, Paris; the Museum of Modern Art, New York; and the Hermitage Museum, Saint Petersburg.
7 5/8 x 9 1/2 inches (19.4 x 24.1cm)
JPMorganChase Corporate History Collection
Morgan Guaranty Trust Company Stock Transfer Department, 1964
DETAILS +
DETAILS -
Jehsong Baak is a Korean American artist who has lived in Paris since 1998. His evocative black and white photographs capture the complexity of the environments he photographs. A street and documentary style imagery displays an emotional depth to timeless images he creates during his global travels. The film noir-like scene in Arrow, Paris (2000) is an arresting view of Paris at night.
Baak’s work is held in permanent collections such as the National Gallery of Art, Washington D.C; Houston Museum of Fine Arts, Houston; and the Wilson Center of Photography, London.
6 3/4 x 10 inches (17.14 x 25.4cm)
JPMorganChase Corporate History Collection
Chase Manhattan Bank Bookkeeping Department, 1957
Robert Mottar, American, 1919-1967
DETAILS +
DETAILS -
Victoria Fu is a visual artist working between analog and digital photography, video projection, and installation. Early exploration of Fu’s characteristic experimental attitude towards media is shown here in Untitled (double 1). The piece features a framed inkjet photograph mounted atop a printed vinyl, which is installed directly onto the gallery wall. This fractal interplay extends the impact of the images themselves, which show light reflecting through prisms and screens.
Victoria Fu has created videos, installations, and photographs for institutions such as the Whitney Museum of Art and the Los Angeles County Museum of Art. She lives and works in San Diego, where she is an Associate Professor of Art at the University of San Diego.
Archival pigment print
16 x 13 1/2 inches, (40.6 x 34.3 cm)
Acquired 2024
JPMorganChase Art Collection
Courtesy of the Artist and Gagosian
Untitled (Trust), 2018
Tyler Mitchell, American, born 1995
..
©
©
©
©
..
©
Leisure
Work
2/13
4/13
5/13
6/13
10/13
11/13
12/13
13/13
3/13
8/13
9/13
7/13
Metallic Lambda on 3mm dibond
55 1/8 x 39 3/4 x 4 inches (140 x 101 x 10.2 cm)
Acquired 2023
JPMorganChase Art Collection
Ayanna, framed photography by Hassan Hajjaj, 2013/1434
Courtesy of Ayanna Witter-Johnson & Hassan Hajjaj Studio
Ayanna, 2013/1434
Hassan Hajjaj, Moroccan, born 1961
7 7/16 x 9 5/16 inches (18.9 x 23.7cm)
JPMorganChase Corporate History Collection
Chase National Bank Theater Club, 1924
Edwin Levick, British, 1869-1929
Pigment print
21 × 32 inches (53.3 × 81.3 cm)
Acquired 2017
JPMorganChase Art Collection
Courtesy the artist and Aperture Foundation, New York
Untitled (Crowd/legs), 2016
Eric Gyamfi, Ghanaian, born 1990
AI generated photograph
34 x 45 inches (86.4 x 114.3 cm)
Acquired 2023
JPMorganChase Art Collection
Roope Rainisto, 2023
REWORLD: Draconian Landscape No.5 , 2023
Roope Rainisto, Finnish, born 1979
Pigment print under plexiglass, mounted on dibond with aluminum frame
55 1/8 x 70 1/16 x 1 3/8 inches (140 x 178 x 3.5 cm)
Acquired 2023
JPMorganChase Art Collection
Courtesy Galerie Anne-Laure Buffard, Paris and Nhu Xuan Hua
Les Oubliées - Archive from the year '70, 2021
Nhu Xuan Hua, French Vietnamese, born 1989
6 1/2 x 9 1/2 inches (16.5 x 24.1cm)
JPMorganChase Corporate History Collection
Chase Manhattan Bank senior officer playing ball, undated
Robert Mottar, American, 1919-1967
Ultrachrome print
59 1/16 x 74 13/16 inches (150 x 190 cm)
Acquired 2014
JPMorganChase Art Collection
Yves Marchand et Romain Meffre / Courtesy Polka Galerie
Paramount Theater, Brooklyn, NY, USA, 2008
Yves Marchand, French, born 1981
Romain Meffre, French, born 1987
6 7/8 x 9 1/2 inches (17.5 x 24.1cm)
JPMorganChase Corporate History Collection
Chase Manhattan Bank intramural basketball against Bankers Trust Company, 1976
William Devine
Pigment inkjet printing on 315 gr Hahnemühle paper
35 x 60 inches (90 x 153 cm)
Acquired 2024
JPMorganChase Art Collection
Rabouan Moussion Gallery, Paris
The Itamaraty Palace - Foreign Relations Ministry, spiral stairs, 2014
Vincent Fournier, French, born 1970
C-print
57 1/16 x 73 5/8 inches (144.9 x 187 cm)
Acquired 1990
JPMorganChase Art Collection
Thomas Struth
Kunsthistorisches Museum 3, Wein, 1989, 1989
Thomas Struth, German, born 1954
Dimensions variable
JPMorganChase Corporate History Collection
J. Pierpont Morgan and family aboard the Morgan yacht, Corsair, undated
Archival pigment print on Canson Platine
23 5/8x 17 11/16 inches (60 x 45 cm)
Acquired 2024
JPMorganChase Art Collection
llona Langbroek
Prospect, 2023
llona Langbroek, Dutch, born 1970
7 3/4 x 9 1/2 inches (19.7 x 24.1cm)
JPMorganChase Corporate History Collection
Chase National Bank Trip to Jones Beach, New York, 1954
Metallic Lambda on 3mm dibond
55 1/8 x 39 3/4 x 4 inches (140 x 101 x 10.2 cm)
Acquired 2023
JPMorganChase Art Collection
Ayanna, framed photography by Hassan Hajjaj, 2013/1434
Courtesy of Ayanna Witter-Johnson & Hassan Hajjaj Studio
©
Ayanna, 2013/1434
Hassan Hajjaj, Moroccan, born 1961
7 7/16 x 9 5/16 inches (18.9 x 23.7cm)
JPMorganChase Corporate History Collection
©
Chase National Bank Theater Club, 1924
Edwin Levick, British, 1869-1929
Pigment print
21 × 32 inches (53.3 × 81.3 cm)
Acquired 2017
JPMorganChase Art Collection
Courtesy the artist and Aperture Foundation, New York
©
Untitled (Crowd/legs), 2016
Eric Gyamfi, Ghanaian, born 1990
AI generated photograph
34 x 45 inches (86.4 x 114.3 cm)
Acquired 2023
JPMorganChase Art Collection
Roope Rainisto, 2023
©
REWORLD: Draconian Landscape No.5 , 2023
Roope Rainisto, Finnish, born 1979
Pigment print under plexiglass, mounted on dibond with aluminum frame
55 1/8 x 70 1/16 x 1 3/8 inches (140 x 178 x 3.5 cm)
Acquired 2023
JPMorganChase Art Collection
Courtesy Galerie Anne-Laure Buffard, Paris and Nhu Xuan Hua
©
Les Oubliées - Archive from the year '70, 2021
Nhu Xuan Hua, French Vietnamese, born 1989
6 1/2 x 9 1/2 inches (16.5 x 24.1cm)
JPMorganChase Corporate History Collection
©
Chase Manhattan Bank senior officer playing ball, undated
Robert Mottar, American, 1919-1967
Ultrachrome print
59 1/16 x 74 13/16 inches (150 x 190 cm)
Acquired 2014
JPMorganChase Art Collection
Yves Marchand et Romain Meffre / Courtesy Polka Galerie
©
Paramount Theater, Brooklyn, NY, USA, 2008
Yves Marchand, French, born 1981
Romain Meffre, French, born 1987
6 7/8 x 9 1/2 inches (17.5 x 24.1cm)
JPMorganChase Corporate History Collection
©
Chase Manhattan Bank intramural basketball against Bankers Trust Company, 1976
William Devine
Pigment inkjet printing on 315 gr Hahnemühle paper
35 x 60 inches (90 x 153 cm)
Acquired 2024
JPMorganChase Art Collection
Rabouan Moussion Gallery, Paris
©
The Itamaraty Palace - Foreign Relations Ministry, spiral stairs, 2014
Vincent Fournier, French, born 1970
C-print
57 1/16 x 73 5/8 inches (144.9 x 187 cm)
Acquired 1990
JPMorganChase Art Collection
Thomas Struth
©
Kunsthistorisches Museum 3, Wein, 1989, 1989
Thomas Struth, German, born 1954
11/13
Dimensions variable
JPMorganChase Corporate History Collection
©
J. Pierpont Morgan and family aboard the Morgan yacht, Corsair, undated
12/13
Archival pigment print on Canson Platine
23 5/8x 17 11/16 inches (60 x 45 cm)
Acquired 2024
JPMorganChase Art Collection
llona Langbroek
©
Prospect, 2023
llona Langbroek, Dutch, born 1970
13/13
7 3/4 x 9 1/2 inches (19.7 x 24.1cm)
JPMorganChase Corporate History Collection
©
Chase National Bank Trip to Jones Beach, New York, 1954
8/13
7/8
DETAILS -
Though her work is void of human presence, Candida Hofer is a portrait photographer. Instead of posing models in a studio, though, Hofer captures “portraits of spaces.” The large-format photographs depict architectural interiors like theatres, libraries, museums, and even palaces with incredible precision. Hofer gives the design of the space the freedom to speak for itself. The viewer must, in turn, project an idea of how they might move through space; what sort of performance or leisure or debate might take place; what feelings the design might instill in its occupants. The “portrait” is thus filled in using the imagination of the viewer, rather than the decisions of the artist.
Candida Hofer represented Germany at the 2003 Venice Biennale and has been shown at institutions around the globe, including the Louvre, Paris; the Museum of Modern Art, New York; and the Hermitage Museum, Saint Petersburg.
Both gentle and implicating, Jess T. Dugan’s Erica and Krista is part of an ongoing series exploring identity, desire, and connection. Emerging from the project of understanding and expressing their own identity as a queer, non-binary artist, Dugan turned to individuals and relationships within the community around them. Photographed in their home, Erica and Krista’s tender embrace is fractured by the camera and interrupted by the viewer. By illustrating the fraught intersection between private and public, Dugan's portrait raises questions about how identity is formed, desire is expressed, and intimacy is sought.
Jess T. Dugan’s work has been exhibited at venues including the Smithsonian National Portrait Gallery, Washington, DC; the Museum of Fine Arts, Boston; and Aperture Foundation, New York. They are the recipient of a Pollock-Krasner Foundation Grant and were selected by the White House as an LGBT Artist Champion of Change.
C-PRINT
47 ¼ X 47 ¼ INCHES (120 X 120 CM)
ACQUIRED 2001
JPMORGAN CHASE ART COLLECTION
© CANDIDA HÖFER; VG BILD-KUNST, BONN
Palacio Real Madrid V, 2000
CANDIDA HÖFER (GERMAN, BORN 1944)
7 3/8 x 9 1/8 inches (18.7 x 23.2cm)
JPMorganChase Corporate History Collection
Guaranty Trust Company of New York Stock Bookkeeping Department, 1926
Edwin Levick, British, 1869-1929
7/8
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DETAILS -
Both gentle and implicating, Jess T. Dugan’s Erica and Krista is part of an ongoing series exploring identity, desire, and connection. Emerging from the project of understanding and expressing their own identity as a queer, non-binary artist, Dugan turned to individuals and relationships within the community around them. Photographed in their home, Erica and Krista’s tender embrace is fractured by the camera and interrupted by the viewer. By illustrating the fraught intersection between private and public, Dugan's portrait raises questions about how identity is formed, desire is expressed, and intimacy is sought.
Jess T. Dugan’s work has been exhibited at venues including the Smithsonian National Portrait Gallery, Washington, DC; the Museum of Fine Arts, Boston; and Aperture Foundation, New York. They are the recipient of a Pollock-Krasner Foundation Grant and were selected by the White House as an LGBT Artist Champion of Change.
7 3/8 x 9 1/8 inches (18.7 x 23.2cm)
JPMorganChase Corporate History Collection
©
Guaranty Trust Company of New York Stock Bookkeeping Department, 1926
Edwin Levick, British, 1869-1929