Video Player is loading.
Loaded: 0%
Current Time 0:00
Duration 0:00
Remaining Time 0:00
 
1x

2024

The Shared Impact of Touring and Streaming

+143%

For instance, ODESZA routinely saw streaming volumes double in the week and market of a performance (+143% on average).

+32%

Other artists, like Blake Shelton, still enjoyed reliable growth but at lower rates (+32% on average).

+42%

While local streaming growth is present for almost all of the artists in our analysis, the size 
of the growth can vary considerably: the +42% average is not one-size-fits-all. 

On a national level, artists also enjoy long-term above-average consumption throughout the duration of a tour.2

Not only do streaming numbers grow while on the road, consumption is also likely to grow following the tour’s announcement.

To exemplify how touring impacts consumption in the long term, see the timelines of Beyoncé’s Renaissance World Tour and Taylor Swift’s The Eras Tour below. In addition to the touring window itself, various other touchpoints — building up to, during and even after the event — contribute to higher domestic consumption volumes throughout each tour cycle.

While Beyoncé and Taylor Swift are unique cases, and not necessarily representative of the "average" artist, smaller artists exhibit similar patterns as well.

These analyses — both the local/short-term and national/long-term — show that the recorded music business has much to gain by capitalizing on the higher levels of engagement and “buzz” an artist enjoys when they establish a footprint via live events.

2At this level we don’t try to estimate the “effect size" of the tour on long-term consumption. Instead, we simply establish that there are above-average consumption volumes during the quarter of (and the quarter prior to) their tour.

Case Study: Beyoncé 

Beyoncé's U.S. Tour

Atlanta date

L.A. date

Beyoncé's Renaissance Tour Announced

Beyoncé's European Tour Kicks Off

(5/10/23), Stockholm)

Beyoncé Releases

Renaissance Tour Movie

Case Study: Taylor Swift

TAYLOR SWIFT on-demand audio in the u.S.

1989 
(Taylor's Version)
released

Taylor Swift's U.S. Tour

Taylor Swift releases Midnights

Speak Now (Taylor's Version) released

Click here to read more on Billboard

Pre-release/ pre-tour "baseline" consumption

Below, you can see how ticket sales and streams are closely related in the 15 markets that Phish played over the year.

Phish ticket sales & Streaming volumes

Hover over dots for market info

Looking closer, the analysis also shows that Phish’s consumption volumes in Philadelphia — where their streaming volumes are uniquely high— might have warranted 
a few additional days 
in the market 
(December 2022). 

NumBer of tickets sold

(FOR each week/event location)

MARKET-LEVEL ON-DEMAND AUDIO STREAMING

(ON-DEMAND audio streams in 2023 in the MARKET the event was held)

TICKET SALES DATA: Billboard Boxscore

phish: Nick Karp

Video Player is loading.
Loaded: 0%
Current Time 0:00
Duration 0:00
Remaining Time 0:00
 
1x

It’s worth noting that the relationship between streaming volumes and ticket sales differs for each artist and genre (in addition to a wide range of other factors).

Or, put another way, we can look at an artist’s market-level consumption over an entire calendar year to estimate ticket sales in that market.

Scroll down to see three examples of this below.

2,814

For every 1,000,000 
in-market audio streams*,
Tedeschi Trucks Band can generally expect to sell 2,814 additional tickets.

1,433

For every 1,000,000 
in-market audio streams*,
Fonseca can generally expect to sell 1,433 additional tickets.

Expected Ticket Sales Per 1,000,000 In-Market Audio Streams:

673

For every 1,000,000 
in-market audio streams*,
Caroline Polachek can generally expect to sell 673 additional tickets.

*Over the course of 2023

TICKET SALES DATA: BILLBOARD BOXSCORE

TTB: David McClister
Fonseca: Christopher Polk
Polachek: Gilbert Flores

See the chart below to help visualize what these figures mean in practice: 

Hover over artist/band name
in legend for
isolated info

TICKET SALES BY STREAMING VOLUMES

NumBer of tickets sold

(PER SHOW)

TICKET SALES DATA: BILLBOARD BOXSCORE

ARTISTS' ON-DEMAND AUDIO

(On-Demand Audio streams in 2023 in the MARKET the event was held)

FIND OUT MORE

Powered by Ceros

FIND OUT MORE

TICKET SALES BY STREAMING VOLUMES

Hover over artist/band name
in legend for
isolated info

TICKET SALES DATA: BILLBOARD BOXSCORE

See the chart below to help visualize what these figures mean in practice: 

2,814

Expected Ticket Sales Per 1,000,000 In-Market Audio Streams:

1,433

673

*Over the course of 2023

It’s worth noting that the relationship between streaming volumes and ticket sales differs for each artist and genre (in addition to a wide range of other factors).

Phish ticket sales & Streaming volumes

Below, you can see how ticket sales and streams are closely related in the 15 markets that Phish played over the year.

TICKET SALES DATA: Billboard Boxscore

Hover over dots for market info

New York

New York

Denver

Chicago

Philadelphia

Albany, 
NY

Los 
Angeles

Taylor Swift's U.S. Tour

Pre-release/ pre-tour "baseline" consumption

TAYLOR SWIFT on-demand audio in the u.S.

Case Study: Taylor Swift

Click here to read more on Billboard

Beyoncé Releases

Beyoncé's U.S. Tour

L.A. date

Atlanta date

Beyoncé's European Tour Kicks Off

Beyoncé's Renaissance Tour Announced

Case Study: Beyoncé 

2At this level we don’t try to estimate the “effect size" of the tour on long-term consumption. Instead, we simply establish that there are above-average consumption volumes during the quarter of (and the quarter prior to) their tour.

+143%

+32%

While local streaming growth is present for almost all of the artists in our analysis, the size 
of the growth can vary considerably: the +42% average is not one-size-fits-all. 

+42%

2024

The Shared Impact of Touring and Streaming

NumBer of tickets sold

ARTISTS' ON-DEMAND AUDIO

For every 1,000,000 
in-market audio streams*,
Tedeschi Trucks Band can generally expect to sell 2,814 additional tickets.

For every 1,000,000 
in-market audio streams*,
Fonseca can generally expect to sell 1,433 additional tickets.

For every 1,000,000 
in-market audio streams*,
Caroline Polachek can generally expect to sell 673 additional tickets.

NumBer of tickets sold

MARKET-LEVEL ON-DEMAND AUDIO STREAMING

Looking closer, the analysis also shows that Phish’s consumption volumes in Philadelphia — where their streaming volumes are uniquely high— might have warranted 
a few additional days 
in the market 
(December 2022). 

1989 
(Taylor's Version)
released

Speak Now (Taylor's Version) released

Taylor Swift releases Midnights

For instance, ODESZA routinely saw streaming volumes double in the week and market of a performance (+143% on average).

Other artists, like Blake Shelton, still enjoyed reliable growth but at lower rates (+32% on average).

On a national level, artists also enjoy long-term above-average consumption throughout the duration of a tour.2